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CONCERT


Film absolutely delicious and I feel obliged to point out the wonderful discourse on the meaning of the orchestra and choral performance, the final decision on which Alexei Guskov. When he says that "the orchestra is the world" says something absolutely true and deeply metaphorical representation of what is in the Soviet Union, but more generally, the world today. Also in this film highlights the importance of multi-ethnicity, the mixing of cultures and talent "street", seen as a key resource and new contemporary art. Why push through artistic tell ages, feelings, passions and look to the future with different eyes. In this film, which mixes the personal story of Tchaikovsky's masterpiece, the director confirms the great author at the same time ironic and grotesque. Through the apparent lightness of his films, he tells us worlds crumbling, and does so with grace and intelligence.

What good movies I'm seeing at this time ...


ah, very good actress Mélanie is confirmed.

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FISH TANK




Movies seen in London have not yet released in Italian, I highly recommend the vision when it comes out.

While watching this movie I thought to Avatar, and came to mind the inconsistencies of the world. If you think that Cameron has worked for over ten years and spent millions and millions of dollars to get the effect of "identification" when the film genre (which apparently cost £ 3) gives a more exuberant and, above all, true ....
The camera moves, arms, and the protagonist searches for the duration of the film, by making the viewer a total process of identification. Us during the movie we are Mia, we go out from our skin to experience the vicissitudes of another person. That is why this film is a great movie. But not only. The issues are very important, fundamental. The movies are always in danger of adolescence fall into banality, the risk is here fortunately escaped. My world is a narrow universe and sold, but it seems the third world is the calendar of England, a stone's throw from the most important city in Europe (do not tell the French!). But in this wicked world, and offers no prospects, consume and live the same problems of adolescence than any other kind of reality. This is why the film is broad and has universal themes. But in the darkness of her life, Mia manages to open a glimmer of hope, which brings the film to a healthy and necessary optimism final (due nihilism because otherwise it would have been excessive).

I read that the movie was filmed in chronological order, and that was done to the actors read the script a little bit at a time, week to week, so as to make their acting as natural as possible. This is a method I have always felt very effective, and the results are there.

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Invictus

When Clint gets behind the camera, even if the viewer does not know who directed the film, he hears it. And then at times when Morgan Freeman in the role of Mandela, is framed in shadow in the solitude of his room and start slow and measured notes of a piano, so similar to those of Million Dollar Baby or The Bridges of Madison County , we feel the presence of the Director "invisible." As a man who has learned to make films himself giving up directing, to devote himself to the stories he tells. As a man who is being challenged to take up an identity in step with the times (Great turin). As a man who at the age of eighty manages to be modern in concept and expression of America today.
Invictus is first and foremost a movie about the sport, and detractors who accuse him of being "rhetorical" may not know that sport is rhetoric, may not know that the principles that underpin the competitiveness of dedication of the sport and national sport are based on concepts completely rhetorical. Just think of all the times that part of the national anthem of the awards.
Invictus is a film glossy, solid, comprehensive, secure, moving with certain steps and balances telling a story that surprises, because we all know. We know very well how it will end all the match that will bring South Africa Springboks to victory, but as we witness to what I consider to be the scene of the most beautiful team sport in the history of cinema (and there is not rhetoric, but only blood and sweat ), the tension accompanies us and never leaves us. Until the end, where we also to excite us.
But the film reserves its most obvious flaws in his being too addicted to requests. Clint Freeman's longtime friend, has always wanted to make a film about Mandela. Eastwood has finally satisfied, and if one part has been delighting us with his direction and his passion always perfect, unfortunately the film the other limits due to reserve requirements to meet the demands of his Freeman.
Eastwood is once again when it introduces its theme of "putative father" (Mandela father of all his countrymen, but dissatisfied with the biological father) or anti-racist ideas and hope to a society multiraziale (the same as Gran Torino) But is not there when overplayed his hand on a final bit more in sensationalism than intimate. But then to say Mandela to his "I'm the captain of my soul" by returning the stolen goods.
Ultimately, a film with some sins, but I forgive easily. Are errors that the director of my heart, the captain of my soul that has given me so much in recent years in terms of emotions (to inform you that I could cry with Invictus), which has taught me so much, before I lose them commits.